I think that’s part of the joke too. Like the whole comic has been written out of order due to race conditions; rather than just the father represents race conditions.

It’s one degree of humour too far though, if that’s the case, doesn’t really land.

I’m utterly befuddled by this woman; somehow she hates the idea of trans women so much that she’s now closely allied with Posie Parker, a woman who hates women, hates suffrage, has advocated for the removal of women’s rights for years, and shares closely held opinions from just right of Goebbels.

Somehow Jo has become so utterly single-minded, she’s paired with the antithesis of all the other things she believes in (and still claims to believe as justification of her anti-trans nonsense).

In fairness, they aren’t exactly advertised for their legal scenarios.

I wouldn’t read into it; Deadline end most articles that mention a production with a small synopsis.

This photo was taken years and years ago, look how young Neil Gaiman is in it.

Well, in fairness to them, I learned I don’t want no Scrubs. Which is good as I think that aired on ABC

Mine are similar

1. Status Report
2. We Are One
3. I’m Ready
4. Private Conversation
5. Keep Us Connected
6. I’m The X
7. Connect To Your Truth
8. How Would That Feel
9. Keeping Secrets

Medley and Credits are both wonderful, but to me, including them would not be in the spirit of the rankings.

I can see Lower Decks maybe taking that award, unfortunately I don’t see SNW winning alone, and I strongly suspect Elizabeth Debicki will take the Best Actress Award.

Heads up OP. It could be my app but I don’t see a link in your post.

Don’t we all Brother/Sister/NBer. Don’t we all.

There are so many but the beauts are the beauts.

1. Ambassador class
2. Defiant class
3. D’Deridex class
4. Excelsior class
5. Jem Hadar Battlecruiser

It’s only one page long and reads

“I lied. I cheated. I bribed men to cover the crimes of other men. I am an accessory to murder. But the most damning thing of all… I think I can live with it. And if I had to do it all over again, I would. Garak was right about one thing, a guilty conscience is a small price to pay for the safety of the Alpha Quadrant. So I will learn to live with it. Because I can live with it. I can live with it. “Also I’m a god now”

That poster is wrong I’m afraid. Though not every job in animation was impacted (some were non-union, some accepted the interim agreements) Lower Decks definitely was. The cast is all SAG and all struck.

SAG-AFTRA’s strike definitely impacted voice work. Non-guild work exists, and wasn’t impacted, but the main cast of LD are all SAG and have mostly hit the picket line too.

I think that what the authors, and indeed most fans, think is that TWOK was what made TNG possible. Had the film not captured the cultural attention of its time there’s very slim chance that more trek would ever have been produced. It was a Hail Mary and it paid off.

Of what I read the author seems to either not understand linear time, or have explained it poorly. The events of SNW don’t happen “before the … 2009 theatrical release”; they happen after that stardate, by 20 something years, and crucially, in a different timeline…

Edit: Apologies to have responded without realising OP is the piece’s author. It wasn’t my intent to be offensive. Basically, OP, the JJ events have nothing to do with the Prime timeline (except the instantiating incident) so marking time based on those factors isn’t common. I might seem like the worst type of sneering Trekkie dork, but Kirk is a living character in his late twenties in Strange New Worlds. The show isn’t taking place before he was born; just before he was Captain. Spock doesn’t require supernatural abilities that defy aging to stay in basically the same job for 10 years.

There were loads of overt Star Wars references in this episode which was fun.

• Music queues were distinctly more John Williams-y.
• Scene transitions hidden behind ships travelling past the screen.
• Scariff style forcefield over one planet.
• Tatooine like architecture.
• Tatooine cantina shape and style to the bar.
• A masked bounty hunter with an unintelligible language is actually an undercover ally.
• The weather station is reminiscent of the Endor shield array.
• Attacking a technological foe with sticks and war cries was similar to the Ewok battle in RotJ.

Some folks had a good day when they signed all that off.

That isn’t a theory, that’s true isn’t it? Original show notes were for Paris to be Locarno, but it was going to be far too expensive for them over the years (total cop out IMHO). Think of Locarno coming back as this; Moore and Shankar are finally getting some of that skrilla

You can quit work and starve. You can quit school and get in a little bit of trouble. I don’t really see the equivalence here.

Children have lots of rights in this analogy, in fact in a great many places, they also have a right to be cared for by the state that adults don’t. Statutory service provision routinely is written in protection of children.

Weirdly, most people don’t have a right to take out and use their phone when working, and given that’s the thread topic it’s a decent sized hole in your argument. I worked a high-wage and technical role, white collar as it gets, and you know where my phone was when I was meant to be concentrating on my work, in my pocket. Know what would happen if I was fucking about on it when I had something important to do? Disciplinary, HR, threatened loss of livelihood. If you’re arguing you’re not being treated like adults, I have bad news for you.

Look, you’re not some oppressed underclass of unperson and your myopic determination to cast yourself as such is a genuine insult to people living under actual hardship.

I’m employed in Film and currently “stood down” while our actors are on strike. On one hand it’s great to have time to hit some of the games I’ve been hoarding, on the other, I may be playing them in a cardboard box come February.