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Cake day: July 4th, 2023

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  • It’s bending the rules, since it’s a camping meal, but I have made it at home, too, since it makes a great depression meal. I got it from backpackers, who I’m pretty sure got it from prison inmates:

    The Ramen Bomb.

    Cook a crushed up packet of instant ramen noodles, maybe with a little more water than usual. Add like half a packet of instant mashed potatoes. You can also add a protein, like… chopped up Spam. Maybe some hot sauce or other fixings if you’re feeling fancy.

    I hated how much I enjoyed it. Granted, that was when I was really tired and hungry, but that hit the spot.

    Also, I’ve heard meals like the ones in this thread affectionately referred to as “glop,” by a fellow glop-enjoyer.



  • Personally, I also like genericizing D&D.

    It’s a shorthand for folks outside or new to the hobby, it skips a hurdle to talk to people about other RPGs with those people, and it weakens the brand identity. Considering how much D&D has coasted on brand identity as the game suffered, I’m all for that.

    I’m less likely to do it places like here, because it causes more confusion, but still. It’s fun to say, “Pathfinder is a great way to play D&D.” :P


  • I didn’t see it until later, but yeah, it’s been around for years. It crops up every now and then from right-wingers trying to test the waters for being overtly anti-democracy. What I found scary was how much more common it got, and at higher levels. I remember a fucking senator repeating that line.

    I also use the square vs. rectangle analogy. Granted, we’re not going to convince fascists acting in bad faith, but it plays to an audience.





  • I’m super excited to give Barkeep on the Borderlands a go! :D

    Also, this paragraph stuck out to me:

    Before we take a look at Barkeep, I want to drop a few quick examples to demonstrate how tone can be affected by writing, mechanics, art, etc. I firmly believe that the tone communicated by an RPG author is inteded to be replicated by the GM. So while you could run Blades in the Dark as a sexy dating game, I don’t think that would properly reflect the game’s tone.

    I absolutely agree. Burning Wheel has stuck with me for a decade and a half, even though I haven’t played it yet, because it’s the first time I opened a game with a clear authorial voice, and it was explicitly explaining to you not just how, but why the rules work the way they do.

    Obviously that’s an extremely explicit example, but it’s also something that clicked for me with the -Borg games. The ratio of style to substance greatly favors style. That’s not to knock the substance, but the games are light and, to be honest, pretty standard for a new-school renaissance type game. It’s not that the rule book is also, separately, an art book. It’s that, when the rule book is an art book, then the acts of bringing it to the table and opening it up to reference the rules become acts that set and reinforce a tone. It made me realize that all games do this, even if it’s sometimes unsuccessful, or negligible.

    Heck, to go back to Burning Wheel, I love the digest-sized hardcover with matte pages, because it looks and feels like a novel, and I think the game intends to create that style of play. I might join a Fabula Ultima game, and that rulebook looks and feels like a manga, which had to be intentional. It works.

    So I really jive with what the author says about how RPGs should communicate their intentions, especially tone in an adventure like this. Obviously any GM will put their own spin on the performance, but hey, if they’re laughing and having fun just reading through potential encounters, that’s the vibe the GM is going to cultivate in turn. :)



  • /u/DerisionConsulting@lemmy.ca is right on the money. Mana paces the game, so anything that can break that is super good. In an otherwise even matchup, if one player has a Lotus while the other doesn’t, that can easily make the game. It’s not going to win the game in and of itself, but it’s a huge enabler to play the thing that will win you the game, before your opponent can reasonably do anything about it.

    On top of that, it’s literally good in all decks. It’s been banned in every format besides Vintage, where it’s restricted to one (and not including casual/fan formats). It had to be banned partly for power reasons, but also because it makes deck-building less diverse. There’s no deck that wouldn’t want a Lotus if it could have one, much less four.

    It’s also part of the Reserved List. After WotC overprinted cards, they essentially promised not to reprint certain ones. I think it’s a dumb decision, but they’ve annoyingly stuck to it (and players are worse off for it). Black Lotus is on that list. And it was alreadly limited in printings, because it was a rare card, and a bit of a design mistake.

    It’s also simply an iconic card. Despite being a design mistake, it’s a major part of Magic history, and gets referenced all the time. To some extent, it’s famous for being famous. That makes it the biggest prize for collectors.

    So, all this together, it has an incredibly high demand, a very limited supply, and no indication of a reprint anytime soon.

    So I printed off a proxy at a professional card printer for 30¢. :)



  • If you’re going to make simple syrup, use a stick blender.

    Firstly, it’s easier and faster than heating the sugar and water in a pot, which is the most popular method.

    Secondly, you don’t lose any significant amount of water to evaporation. That’s not a big deal if you make 1:1 simple syrup, but if you’re going 2:1 (which I prefer), you’re already very close to the maximum solubility of sugar in water at room temperature. Losing a few grams of water can make it supersaturated, which leads to sugar crystals falling out of solution over time. Not a big deal, but a little annoying.

    If you give it a try, bear in mind that you’re going to get a cloudy syrup at first. That’s totally normal, and it’s not undissolved sugar, it’s just air bubbles. They’ll float out over time.





  • Haha, thanks. I just meant that sentence at first blush, I know it’s a reasonable position after that. :P

    I’m not sure I’d like it, because I “got” Blades in the Dark, but realized it wasn’t for me. It does what it does well, but my group and I didn’t like so much the “one session, one job” paradigm, and it seemed too abstract at times. I read a comment that said narrative games are like writing with the other players, and it seemed to click. I might just not like that kind of approach, as a matter of personal preference.

    But I might like DW2 more, as it incorporates more of a traditional style. That and, to be honest, I might love Blades and other FitD games with some light tweaking. I need to explore!



  • Of course, I think it’s undeniable that there’s anti-Chinese racism, and it can play into attacks on China, especially from the right. The thing is, my criticisms of China are things that I hate about the US and its allies. It’s not that China is some strange, unique evil. On the contrary, they’re similar.

    In another comment, you talked about how genocide requires mass killings, but I wouldn’t limit it to that (nor would the UN). And yes, that makes the US complicit. The genocide of Native Americans didn’t stop with murder, but included stealing children to “reeducate” them. The eugenecist movement sterilized women without so much as their knowledge, much less their consent—and they were predominantly Black, Asian, and Native American. The Tuskeegee experiments also left people sterilized, and that’s just part of how it ruined and ended lives. Obviously we’ve seen “Islamic extremism” used as an excuse to demonize Muslims in general, ignore material conditions that lead to violent resistance, and justify brutal repression.

    We’ve already talked about evidence, and I don’t know what to tell you. You also said that you don’t trust any citation in the Wikipedia article, so that’s cutting out sources I would absolutely lend weight: the UN, the Asspociated Press, Reuters, academic journals… and if your response to the UN report isn’t “technically this would mean it’s ethnocide,” then I don’t think we’re going to have a productive conversation.

    A while back, I read an article by Dara Horn about the failures of Holocaust education, and the rise of antisemitism. One point that really struck a chord with me was that Holocaust education focuses too much on the “They were just like us” angle. Jews weren’t oppressed for their similarities, but their differences. To focus on the similarities to conemn their oppression carries with it the implication that, if people are different, it’s okay, and the more different they are, the more you can justify hate and oppression.

    So imagine my disappointment when I read an article of hers condemning student protests. She repeated the lie about “From the river to the sea (Palestine will be free)” being a genocidal slogan. She juxtaposed it with antisemitic attacks, implying a connection. She denied that it was a genocide, which would of course justify demonstrations. She praised cracking down on student protests in general. She mournfully talked about overlooking Harvard, disappointed that the school she went to was awash in antisemitism, and all I could think was… Harvard is still standing, Gaza is in ruins.

    Is the treatment of Uyghurs the same as the treatment of Palestinians? No, not as far as I can tell. It’s just that that isn’t the threshold. The genocide of Palestinians doesn’t only slightly cross the line. And while both antisemitism and sinophobia are undeniably real, have lead to attacks and oppression, and color some of the criticisms of Israel and China, that doesn’t represent real criticisms of states, not people. And those criticisms aren’t new, they are familiar. It’s the banality of evil. It’s capitalist empires doing what capitalist empires do.