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Joined 1 year ago
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Cake day: June 12th, 2023

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  • Their song “Shut Up And Let Me Go” was fairly successful, too, so they weren’t quite a one-hit wonder.

    I actually quite enjoy their 2018 album “The Black Light”, even if it wasn’t that well received. It’s kind of a stripped back indie dance record, and it’s fine. But they did an alternate version called the “Manchester Version” that had a much more raw, indie rock sound to it that I dig. It’s no masterpiece by any means, but it’s something I’m happy to put on every now and then.



  • I agree, I had the same thought. And not only is she very pretty, she’s also “believably pretty”; she doesn’t look like a movie star or an unrealistically attractive Instagram model, she looks like someone you could see walking down the street. She’d catch your eye, of course, and probably be the prettiest person you saw that day, but it’s not like some pictures/videos I’ve seen of people where I’ve thought “I’ve never seen someone look that attractive in real life” and there’s a bit of a disconnect because of it.

    Using Olga’s likeness, I suspect a lot of people can be fooled into thinking she’s just a regular person who happens to be at the upper end of the attractiveness scale rather than a paid model, and I’m sure they very intentionally decided to steal her likeness for that reason.



  • You can just say “well they’re stupid that’s what you get” or you can ask yourself why aren’t we getting these people on board while some greasy billionaire can?

    I don’t necessarily like to just dismiss people as stupid, but a lack of education and the ability to understand complex issues is both a big issue for these people and a reason why the greasy billionaires can get them on board. Convincing someone that them paying some of their money into a union will actually result in better working conditions and more money for them - rather than just being poorer - is a lot harder and takes more understanding on their part than someone convincing them there’s less money to go around because there are more immigrants, for instance.

    On top of that, people like to be able to absolve themselves of personal responsibility if they are given the option to. That’s not exclusive to right-wing people, but when that’s coupled with people wanting simple “explanations” because they don’t understand more complex systems with all their consequences, knock-on effects, etc, it makes it easy for right-wing politicians and media to offer simple scapegoats and get people on board.

    To use the immigrants example again: not only is it not your average right-wing voter’s fault in any way - it’s the immigrants’ fault - but also, they don’t personally need to do anything to fix the issue, they just need to let the right-wing politicians get into power and it’ll all be solved for them. It’s all very comforting for them - much more so than being told it’s going to take ten years and some work on their part to improve things.


  • I’m definitely a little confused about Tango - I’m hoping we’ll at least get more details come out about why Microsoft shuttered them. I mean, Ghostwire Tokyo was… whatever, and I could understand Microsoft not wanting to have them working on that kind of scale again any time soon. It wasn’t bad by any means, but it was fairly expensive and perhaps didn’t do as well as they hoped. But I’m surprised they didn’t want to just downsize the studio and aim for another HI-FI Rush-esque game (or sequel).

    But Arkane Austin being closed definitely makes sense. Not only was Redfall a disaster, but by the time Redfall released, 70% of the people who’d worked on Prey had left the studio. (Largely because the studio’s president had left the studio just after Prey, I believe, rather than because of the Microsoft acquisition of Bethesda.) All that was really left was the name.









  • these people SHOULD be putting this negative pressure on them. It’s deserved

    Was it not implied I agree with that when I said:

    The angry customers and the state of the game are problems.

    and;

    • customers being disappointed and/or wanting a refund is perfectly reasonable
    • people wanting the game to be better is also reasonable

    I’m not going to defend the poor quality of the game because it’s obviously bad (from what I gather, anyway - I’ve not played it myself) and should be improved.

    ?

    I don’t see why that would make my opinion stupid. Yes, the studio/publisher should be held to account for the crappy release. But a big part of holding them to account should be not giving them money for it in the first place; not just handing over money and then complaining afterwards. Complaining afterwards is reasonable for the people who did hand over money, but they should also hold themselves accountable for financially rewarding a company that puts out a crappy product - they’re part of the problem.


  • The angry customers and the state of the game are problems.

    • it’s hard to feel sorry for people who pre-ordered because they got exactly what they paid for - a game of unknown quality and quantity of content
    • it’s hard to feel sorry for people who bought post-release because they also got exactly what they paid for - a game where reviews detailed poor quality and quantity of content
    • customers being disappointed and/or wanting a refund is perfectly reasonable
    • people wanting the game to be better is also reasonable
    • people abusing the devs is not reasonable

    I’m not going to defend the poor quality of the game because it’s obviously bad (from what I gather, anyway - I’ve not played it myself) and should be improved. But I do think gamers could learn to be a little more responsible with their purchases and inform themselves before buying a game.

    I’m pretty over the whole cycle of games coming out and not meeting expectations, people buying them anyway (through pre-orders or day-one purchases), people being unnecessarily rude/hostile/sending death threats to developers as if they were forced to buy the game as gunpoint. Yes, developers should try to do better, yes publishers should often give developers more time to polish up games rather than announcing the release date two years in advance and refusing to delay, but also consumers could really take some responsibility for what they decide to give money to.


  • I think it’s best not to get caught up worrying about the “early access” tag and to just evaluate what the game is like right now instead.

    Factorio and Last Epoch are both games that I bought in early access (they’ve both fully released now, though) and, at the time I purchased them, I think they were worth my money. They’ve both only improved since that time, which is great, but even if they were never updated again after I bought them, I would have considered them very worthwhile purchases. I played both for hundreds of hours in their early access states and had fantastic times with them (and still do post-full release, too).

    And then, conversely, there are plenty of games that are fully released that aren’t worth your time or money despite not being “early access”.