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Joined 1 year ago
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Cake day: June 20th, 2023

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  • I’m always telling people to REALLY watch Napoleon Dynamite. I think it got quoted and proto-memed to death when it came out, leading to most people having an unfair idea in their head of what the movie is.

    The soundtrack is phenomenal. The acting is (mostly) way better than you may have thought it was. Jon Gries (Uncle Rico) was nominated for an Independent Spirit award and he absolutely deserved that nomination. The cinematography is excellent, especially knowing how much it cost to make + how much experience the crew had. Though it’s not explicitly said, I think it’s ultimately a story about neurodivergent people finding friendship, solidarity, and happiness in a world not made for them.

    Also, the scene where Uncle Rico throws a steak at Napoleon is still funny.









  • Way too many to list but I’ll throw one out. Do you like Radiohead, REM, The National, Pixies, Frank Turner, or Dinosaur Jr.? Well, they (or their lead singer) all love Mark Mulcahy’s music enough to have recorded a cover song for the tribute album when Mark’s wife passed.

    Mark led the band Miracle Legion, released some solo work, and led the band Polaris (not the metal band from Australia), best known as the band from the show The Adventures of Pete & Pete. Also noteworthy: Miracle Legion toured and released an EP with The Sugarcubes, aka Bjork’s band.

    Song recommendations: The Backyard, All For The Best by Miracle Legion - Hey Sandy, Saturnine by Polaris - Taking Baby Steps, The Fiddler, Hey Self Defeater by Mark Mulcahy.

    Album recommendations: Drenched by Miracle Legion, Music from The Adventures of Pete & Pete by Polaris, and Fathering by Mark Mulcahy.






  • 2024: album that has my attention is Prelude to Ecstasy by The Last Dinner Party. Glorious, dramatic chamber pop with many lyrical nods for the History majors in your life.

    2023: Javelin by Sufjan Stevens + Expert In A Dying Field by The Beths. Suf is the easy choice but man is it good and, in typical fashion, heart-breaking. I don’t know how The Beths continue to make their style sound fresh, but they do. The songwriting, harmonies, guitar work, all so excellent.

    2022: The Festival by Tim Baker + Revealer by Madison Cunningham. Tim Baker just doesn’t miss. Leaning heavily into the horns and soul influence, but still grounded in composed, mature folk-pop. Madison Cunningham on the other hand varies style a good deal but it works every time. Great guitar, interesting compositions, lyrically strong.

    2021: Peace Or Love by Kings of Convenience + Stunning & Atrocious by Fleece. Kings of Convenience, your modern-day Norwegian Simon & Garfunkel, return in perfect form. Feist returns for a few tracks, every song is strong. Fleece level up from complex guitar-heavy indie-rock to delicious funky indie-pop. The most fun I’ve ever seen a band have together on stage was seeing them play this album.

    2020: Half-Empty by The Little Hands of Asphalt + Every Bad by Porridge Radio. Missed Half-Empty until a year ago but wow, it’s such a stellar singer-songwriter album - string arrangements are mouthwateringly good. Begs to be listened to as an album. Every Bad is, to me, pure catharsis in musical form. Vocal performances on tracks like Circling and Sweet are gut wrenching.

    Favorite songs not in any of these: Oh How We Drift Away by Tim Heidecker & Weyes Blood (this is what I’d put as my Song of the Decade so far), Feelings Meeting by Living Hour ft. Jay Som, Jackie Down The Line by Fontaines D.C., Your Light by The Big Moon, Hounds of Hell by The Phoenix Foundation ft. Nadia Reid.