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Joined 10 months ago
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Cake day: August 30th, 2023

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  • His public presentation skills could get better, but I agree and support the essence of the idea. An art piece has an idea, a form, an ethos, and a character has a personality and is driven by specific world visions. To take an art piece, and just sh*t on the original spirit and forms to produce a derivative piece that fits someone else’s vision while also using the familiarity to market it better is just cynical. Corporate media is just too cynical and hypocritical to not do exactly that: twist a art piece again and again to get better market outcomes.

    He is right. God of War was created as a violent dynamical hack and slash with a Greek tragedy as background . It is not shallow, revenge stories after tragical events are a common trope. Kratos was a Greek tragic revengeful character that had a purpose and a vision , and he fulfilled his destiny. End of story. Call it pro revenge or whatever, its the spirit of the work.

    The absurd was the newer artists not caring at all about fidelity or having the courage to create something new. Want to continue god of war ? Don’t disrespect the original character and spirit and mechanic of the game, build upon it. Maybe a hack and slash about a Japanese kratos battling against shinto gods. Want to create a story with the opposite message, a completely different character and completely different gameplay ? Create a new game, new characters, and be happy.

    I already find it hard to swallow when the original artist itself radically shifts the art piece, like what happened with Dragon Ball (compare the first episodes or chapters with Dragon Ball Z, and tell me its the same thing, its not). To see corporations being cynical about art, and being praised for it is even worse.



  • Armchair general here, but if i were to guess israel’s plan:

    The northern part of Gaza is where the majority of rockets get launched, since they have geographical proximity to several israeli cities from there. IF israel annexes north gaza, that would already be very changing to the military situation. Hamas can obviously launch stuff from south gaza, but the geographical distance to israeli hotspots dramatically increases (by itself an obstacle), AND norh gaza can be transformed into an extended Iron Dome with several military facilities in place to act, not to mention that now Israel only has to watch half the terrain.

    The heretofore events point to this possibiliy, since Israel gave the ultimatum to evacuate northern gaza, and south gaza for now seems to be spared from this. Of course, if Israel then eventually proceeds to colonize north gaza with new settlements (aka West Bank 2.0 electric bogaloo) , hamas has a new ‘easy’ target to hurl stuff into, but the military infrastructure in place will be much more impenetrable, and the local jews would be staunch sionists that accepted the risks and have high morale and preparations to deal with this, and not the mainstream israeli society.



  • Hard disagree here, the modern western conception of art (around which the current legal and economic systems were constructed) is really opposite to the idea that the current AI tools should deserve any copyright.
    Why ? The concept of art (the modern western one) is that an Art piece is composed of :

    1. An Idea
    2. A form that is given to that idea by a human artist.

    The idea can be given by others, to be constructed by an artist. That is usually a Patron (from where Patreon invented its name) , in spanish Mecenas, that pays the work and directs what idea and even general form it will take (the social practice is called Mecenazgo in spanish, since english has no equivalent word, i will use that ). Example: The Sistine Chapel, which was conceptualized (and paid) by the Catholic Church, including themes and general style, and was given to italian artists like Michelangelo to give the final form, which they drew themselves, with the approval of the church authorities at the end.

    The current Ai tools work exacly like the Mecenazgo:

    • the human person gives an input (textual, or other), the AI goes brrrrrr, and gives back an image. the person can take ir, or re-iterate the cycle with further inputs until satisfaction.
    • This is really analogous with how art production ocurred in the Mecenazgo: The human input is the step 1 (an idea), the AI does the step 2 (give form to the idea). The further inputs by humans is analogous to the rough drafts the artist had to give the Mecenas first, the Mecenas described in more details and specifications what themes and forms he wanted, and that repeated until the Mecenas was satisfied with the final form the artist gave back.

    The current copyright legal and economic system gives the intellectual property to the ARTIST, that made the step 2, and NOT to the Mecenas of the step 1. Because the Mecenas only had ideas, and the one who made what is considered artistic work, that deserves the legal privilege of IP, is the artist. If all someone did was tell the AI what to draw (i.e. gave an idea, general theme and general form), then the person is only acting as the Mecenas. The MACHINE is doing the artistic work, and since the machine is not a human that deserves the legal privilege, ir should be considered non copyrighted or public domain, just like the picture some monkey took of itself some years ago.

    This was not always nor everywhere the social interpretation of WHO is the agent that actually made the art. Before the Renaissance, the western societies considered the Mecenas of step 1 the TRUE ARTIST, because he-she had the idea, and the person that gave form to the idea was considered a low level construction worker like stonemasons, that did not even have its name recorded. If you are wiilling to go back there, we would have to fundamentally change our interpretation of art , artists and rewrite the Sistine Chapel as created by the Catholic Church , and michelangelo is irrelevant.



  • PC gaming is actually a competitive market that would still give players options to escape that (Gog, steam, Epic, itch and humble dumble, hell even Microsoft store and company launchers), it is not guaranteed to never happen because cartels happen, but it is far more hard and improbable than consoles, which are locked-down computers with unbreakable monopolies installed in then, at the mercy of the feudal lord of choice. PS: not to mention, Piracy, emulators and Libre games on linux.


  • Eu não ironicamente amo o minimalismo e funcionalismo ao extremo do LXQt.

    Amo o painel que parece um irmão do Windows 95, tudo em texto simples, que eu personalizo a fonte e tamanho, e o tema do sistema eu pus o arch colours dark, tudo fica bonito com fundo azul escuro. Amo quão fácil no painel é só ir com o mouse para categoria e clicar na linha com o icone e nome do programa, nada de descrição inútil ou ícone enorme ou espaço em branco para eu ter que ficar escaneando uma página A5, nada de animação, sombreamento e firulas visuais, apenas uma lista em linhas curtas com o que tem de programa instalado, compacto e funcional. Amo o quão fácil fica achar tudo na central de controle também, e como os menus e opções são direto ao ponto, apenas texto e imagens simples em tudo, não se pode reclamar de ‘‘inconsistencia visual’’ com o LXQt.

    Nem preciso falar que em termos de consumo computacional é o melhor de todos, adoro poder usar computador antigo com boa velocidade e mesmo nos recentes, deixar o máximo de potencia para os programas em si, tipo os jogos. Ter um sistema que parece um mod de Windows 95 rodando um Doom moderno é tão estranho que fica divertido.

    Eu uso Endeavour OS com LXQt, amo os papéis de parede e protetores de tela dele também, tem uma verdadeira coleção histórica lá, com as coisas dos macs e windows antigos. Com a combinação de base arch e LXQt, deve ser o sistema que garante maior longevidade para um computador, mantendo todas as funcionalidades modernas.

    Honestamente também amo o Gemini pelas mesmas coisas, se fosse por mim, nós já estaríamos com Permacomputação a todo vapor e 98% dos designers estariam sem emprego.